Sword Art Online Fatal Bullet How to Change Gender

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've e'er taken an fine art history course or spent time in a fine arts museum, chances are you know a lot about the men who "divers" their mediums. Equally with other subjects, most of what we learn about art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at only some of the women who have had lasting impacts on their art forms. From some of the fine art world's most iconic pioneers to its most unsung heroes, these women artists all had a mitt — and, in some cases, still take a hand — in irresolute the earth of fine art and how we define information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than thirty years. Later on studying the work of painters like Cézanne and Monet while abroad, she returned to the U.s., becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Moving picture Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Movie Stills (1977–80) — self-portraits in which Sherman "posed in the guises of diverse generic female film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nevertheless from the performance Cut Piece, 1964, and a moving-picture show of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Metropolis in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono as a musician and activist, simply she'due south likewise an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art motion, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a operation she first staged in Japan; Ono sat on phase in a nice accommodate and placed scissors in forepart of her, and, in an deed of daring vulnerability, invited audition members to come on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do information technology, I start to asphyxiate."

Betye Saar

Betye Saar's Black Daughter'due south Window, 1969 (total and particular). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed every bit a social worker. A printmaking elective changed her entire career trajectory — and, in plow, office of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the fox is to seduce the viewer," Saar has said. "If you can go the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo'southward 1939 painting Las Dos Fridas at the Earth Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to observe someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like expiry and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded equally one of the almost influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's besides known for her hyper-existent sculptures, polka dots, installations, and and so much more than. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald's work — and her signature grayscale skin tones — as she was the first Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Serial Red With Yellow in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York City. In the 1920s, she was the outset woman painter to gain the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilt Lion for best artist in Okwui Enwezor's biennial exhibition All the World'due south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question society, identity, and racial politics past enervating the audience to confront truths almost themselves. She oftentimes challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed equally a Blackness man with a faux mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in front end of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, pic, and video piece of work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on diverse concepts, such equally trauma, noesis, and hope. 1 of her more notable works, I Smell You On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Indigenous Northward American civilisation. In 2005, she was the outset Indigenous adult female to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is meliorate known for her installation art and sculptures — like the spider in a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art globe.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilisation and popular art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces ofttimes examine the role of women in history and culture — in the 1970s and before. While at California Country University in Fresno, Chicago founded the starting time feminist art plan in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Cruel founded the Vicious Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the kickoff Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (But await up her most famous work, Interior Roll, and y'all'll run into what we mean.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal gild.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In add-on to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this await similar an Andy Warhol to y'all? Well, that's the idea! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art civilization.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's final public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing then, displays various subcultures in formal portraits — but in a manner that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Lord's day) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global problems such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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